{"122461":{"#nid":"122461","#data":{"type":"event","title":"Listening Machines 2012","body":[{"value":"\u003Cp\u003E\u003Cstrong\u003EListening Machines 2012\u003C\/strong\u003E\u003Cbr \/\u003E\u003Cstrong\u003ETuesday 17 April, 8:00pm \u003C\/strong\u003E\u003Cbr \/\u003E\u003Cstrong\u003EDrama Tech, Georgia Tech \u2013 FREE ADMISSION\u003C\/strong\u003E\u003C\/p\u003E\u003Cp\u003EBringing Music Technology Innovation to Ensemble Performance\u003C\/p\u003E\u003Cp\u003E\u003Cstrong\u003Eechobo : audience participation piece\u003C\/strong\u003E\u003Cbr \/\u003ESang Won Lee(echobo), Yonatan Sasson(Clarinet) , You(echobo)\u003C\/p\u003E\u003Cp\u003EEchobo is an interactive music piece where audience participates in the music performance using their mobile phones. In Echobo, audience collaborate with musicians, playing a musical instrument available in iOS devices (iPhone, iPad, iPod Touch). Please bring any iOS device that you have and participate in the performance!\u003C\/p\u003E\u003Cp\u003E\u003Cstrong\u003EHeat of the Day\u003C\/strong\u003E\u003Cbr \/\u003EMason Bretan, Yingjia Liu, Nathan Weitzner\u003C\/p\u003E\u003Cp\u003EHeat of the Day is a piece by jazz guitarist Pat Metheny. In this arrangement a combination of melodic and rhythmic percussion instruments are played by humans and mechanical devices respectively. Our setup alludes to Metheny\u0027s own mechanical ensemble, Orchestrion, which uses solenoids to musically layer several percussive sounds. Though much of the piece is precomposed there are sections in which the software takes advantage of listening techniques and stochastic processes for improvisatory purposes.\u003C\/p\u003E\u003Cp\u003E\u003Cbr \/\u003E\u003Cstrong\u003ESMASH (Sonic Mosaicing mASHups)\u003C\/strong\u003E \u003Cbr \/\u003EScott McCoid, Gregoire Tronel, Luke Heerman,\u0026nbsp;Weibin Shen,\u0026nbsp;Brad Short,\u0026nbsp;Neeraj Vaidya\u003C\/p\u003E\u003Cp\u003ESMASH is a piece that takes everyday surfaces such as chairs, tables, and flower pots are repurposed as electroacoustic percussive surfaces. Six hand-drumming percussionists will generate an array of electronically synthesized sounds by employing a realtime computer analysis of the surface vibrations. The end result is an exciting exploration of the connection between acoustic physical surfaces and electronic synthesis.\u003C\/p\u003E\u003Cp\u003E\u003Cstrong\u003EN400\u003Cbr \/\u003E\u003C\/strong\u003EYanling Chen, Yonatan Sasson, Sisi Sun\u003C\/p\u003E\u003Cp\u003EIn N400, a concerto for orchestra composed by Gil Weinberg, we offer a unique collaboration between the Georgia Tech Symphony Orchestra and Shimon, our marimba-playing robot. Shimon will listen to, improvise, and play along with the orchestra, while responding to gestures directed at him by the conductor. This is Shimon\u0027s debut performance with a symphony orchestra.\u003C\/p\u003E\u003Cp\u003E\u003Cstrong\u003EMusic Slave\u003C\/strong\u003E\u003Cbr \/\u003EJason Clark, Anosh Daruwalla, Sang Won Lee, Sidharth Subramanian\u003C\/p\u003E\u003Cp\u003EMusic Slave is an interactive and networked music piece performed by a distributed choir group and an instrument ensemble. The instrumentalists do not make any noise, but rather distribute musical notes to each member of the choir via a mobile network so the choir can sing the notes heard. As opposed to the notion of a traditional choir, who stand together on stage facing the audience, Music Slave lets each choir member sing anywhere in an open performance space and wander among the audience.\u003C\/p\u003E\u003Cp\u003E\u003Cstrong\u003EGrOOveID\u003C\/strong\u003E\u003Cbr \/\u003ERuofeng Chen, Frederick Leighton, Jimmy O\u2019 Neill, Ajay Srinivasamurthy\u003C\/p\u003E\u003Cp\u003EGrOOveID is a real-time groove recognizer, predictor and a visualizer for percussion ensembles. Through a MIDI interface, it listens to the grooves played by the ensemble and recognizes them. This information drives dynamic visualizations for the grooves being played. As the performance progresses, GrOOveID also analyzes and understands the drummers to predict the grooves that would probably be played next.\u003C\/p\u003E","summary":null,"format":"limited_html"}],"field_subtitle":"","field_summary":[{"value":"\u003Cp\u003EBringing Music Technology Innovations to Ensemble Performance \u0026nbsp;\u2013 A\u0026nbsp;collaboration between Georgia Tech Music Technology Students, Percussion Ensemble, Orchestra, and Choir.\u0026nbsp;\u003C\/p\u003E","format":"limited_html"}],"field_summary_sentence":[{"value":"Bringing Music Technology Innovations to Ensemble Performance  \u2013 A collaboration between Georgia Tech Music Technology Students, Percussion Ensemble, Orchestra, and Choir."}],"uid":"27293","created_gmt":"2012-04-06 08:09:20","changed_gmt":"2016-10-08 01:58:41","author":"Joanie Chembars","boilerplate_text":"","field_publication":"","field_article_url":"","field_event_time":{"event_time_start":"2012-04-18T01:00:00-04:00","event_time_end":"2012-04-18T03:00:00-04:00","event_time_end_last":"2012-04-18T03:00:00-04:00","gmt_time_start":"2012-04-18 05:00:00","gmt_time_end":"2012-04-18 07:00:00","gmt_time_end_last":"2012-04-18 07:00:00","rrule":null,"timezone":"America\/New_York"},"extras":[],"hg_media":{"122541":{"id":"122541","type":"image","title":"Listening Machines 2012 no.2","body":null,"created":"1449178582","gmt_created":"2015-12-03 21:36:22","changed":"1475894743","gmt_changed":"2016-10-08 02:45:43","alt":"Listening Machines 2012 no.2","file":{"fid":"194412","name":"listeningmachines2.jpg","image_path":"\/sites\/default\/files\/images\/listeningmachines2_0.jpg","image_full_path":"http:\/\/tlwarc.hg.gatech.edu\/\/sites\/default\/files\/images\/listeningmachines2_0.jpg","mime":"image\/jpeg","size":25881,"path_740":"http:\/\/tlwarc.hg.gatech.edu\/sites\/default\/files\/styles\/740xx_scale\/public\/images\/listeningmachines2_0.jpg?itok=X71HqWxm"}},"122451":{"id":"122451","type":"image","title":"listening machines 2012","body":null,"created":"1449178582","gmt_created":"2015-12-03 21:36:22","changed":"1475894741","gmt_changed":"2016-10-08 02:45:41","alt":"listening machines 2012","file":{"fid":"194411","name":"listeningmachines.jpg","image_path":"\/sites\/default\/files\/images\/listeningmachines_0.jpg","image_full_path":"http:\/\/tlwarc.hg.gatech.edu\/\/sites\/default\/files\/images\/listeningmachines_0.jpg","mime":"image\/jpeg","size":18143,"path_740":"http:\/\/tlwarc.hg.gatech.edu\/sites\/default\/files\/styles\/740xx_scale\/public\/images\/listeningmachines_0.jpg?itok=2gv_Gaxu"}}},"media_ids":["122541","122451"],"groups":[{"id":"1221","name":"College of Design"},{"id":"60381","name":"CMT - Center for Music Technology"}],"categories":[],"keywords":[{"id":"1936","name":"Center for Music Technology"},{"id":"5472","name":"GT Listening Machines"},{"id":"14983","name":"newsletter"},{"id":"667","name":"robotics"}],"core_research_areas":[],"news_room_topics":[],"event_categories":[{"id":"1792","name":"Arts and Performance"}],"invited_audience":[],"affiliations":[],"classification":[],"areas_of_expertise":[],"news_and_recent_appearances":[],"phone":[],"contact":[{"value":"\u003Cp\u003E\u003Ca href=\u0022mailto:gilw@gatech.edu\u0022\u003EGil Weinberg\u003C\/a\u003E\u003C\/p\u003E","format":"limited_html"}],"email":[],"slides":[],"orientation":[],"userdata":""}}}