{"330871":{"#nid":"330871","#data":{"type":"news","title":"Professor Wang Publishes Memory, Subjectivity and Independent Chinese Cinema","body":[{"value":"\u003Cp\u003EYou can read more about the book at \u003Ca href=\u0022http:\/\/www.amazon.com\/Subjectivity-Independent-Chinese-Edinburgh-Studies\/dp\/0748692339\u0022 target=\u0022_blank\u0022\u003Ehttp:\/\/www.amazon.com\/Subjectivity-Independent-Chinese-Edinburgh-Studies\/dp\/0748692339\u003C\/a\u003E\u003C\/p\u003E\u003Cp\u003EHere\u0027s a review by a leading scholar in the field of Chinese cinema studies:\u003Cbr \/\u003E\u003Cbr \/\u003E\u0022Qi Wang\u0027s radical intervention revaluates Chinese independent cinema\u0027s challenge to the official and commercial media. Instead of emphasizing the realist determination to document everyday life in contemporary China since the 1990s, she shows us how these films also invoke history through personal memory in their attempt to come to terms with the earthquakes in Chinese social, cultural, and political values of the last half century. \u0027Memory, Subjectivity and Independent Chinese Cinema\u0027 is a dense, detailed, and riveting account of the postsocialist generation\u0027s subjectivity. Richly illustrated and informed by new research and numerous interviews, its shining audacity takes my breath away.\u0022 ------Chris Berry, Film Studies, King\u0027s College London\u003C\/p\u003E","summary":null,"format":"limited_html"}],"field_subtitle":"","field_summary":"","field_summary_sentence":[{"value":"Wang\u0027s first book is also the first book in a series from the Edinburgh Studies in East Asian Film, Edinburgh University Press."}],"uid":"27725","created_gmt":"2014-10-03 14:05:21","changed_gmt":"2016-10-08 03:10:14","author":"Carol Senf","boilerplate_text":"","field_publication":"","field_article_url":"","dateline":{"date":"2014-10-03T00:00:00-04:00","iso_date":"2014-10-03T00:00:00-04:00","tz":"America\/New_York"},"extras":[],"hg_media":{"330851":{"id":"330851","type":"image","title":"Qi Wang","body":null,"created":"1449245090","gmt_created":"2015-12-04 16:04:50","changed":"1475894616","gmt_changed":"2016-10-08 02:43:36","alt":"Qi Wang","file":{"fid":"200353","name":"img_56.jpg","image_path":"\/sites\/default\/files\/images\/img_56_0.jpg","image_full_path":"http:\/\/tlwarc.hg.gatech.edu\/\/sites\/default\/files\/images\/img_56_0.jpg","mime":"image\/jpeg","size":28065,"path_740":"http:\/\/tlwarc.hg.gatech.edu\/sites\/default\/files\/styles\/740xx_scale\/public\/images\/img_56_0.jpg?itok=IBdb7_wg"}},"330861":{"id":"330861","type":"image","title":"Memory, Subjectivity and Independent Chinese Cinema","body":null,"created":"1449245114","gmt_created":"2015-12-04 16:05:14","changed":"1475894616","gmt_changed":"2016-10-08 02:43:36","alt":"Memory, Subjectivity and Independent Chinese Cinema","file":{"fid":"200354","name":"-1_4.jpg","image_path":"\/sites\/default\/files\/images\/-1_4_0.jpg","image_full_path":"http:\/\/tlwarc.hg.gatech.edu\/\/sites\/default\/files\/images\/-1_4_0.jpg","mime":"image\/jpeg","size":32450,"path_740":"http:\/\/tlwarc.hg.gatech.edu\/sites\/default\/files\/styles\/740xx_scale\/public\/images\/-1_4_0.jpg?itok=wBMT-zMD"}}},"media_ids":["330851","330861"],"groups":[{"id":"1283","name":"School of Literature, Media, and Communication"}],"categories":[],"keywords":[{"id":"12302","name":"Chinese Cinema"}],"core_research_areas":[],"news_room_topics":[],"event_categories":[],"invited_audience":[],"affiliations":[],"classification":[],"areas_of_expertise":[],"news_and_recent_appearances":[],"phone":[],"contact":[],"email":[],"slides":[],"orientation":[],"userdata":""}}}